From the award-winning author comes a much-anticipated sequel to the Scottish Crime Book of the Year The Quaker... Glasgow 1975 A deadly fire An arson attack on a Glasgow warehouse causes the deaths of a young mother and child. Police suspect it's the latest act in a brutal gang warfare that's tearing the city apart - one that DI Duncan McCormack has been tasked with stopping. A brutal murder Five years ago he was walking on water as the cop who tracked down a notorious serial killer. But he made powerful enemies and when a mutilated body is found in a Tradeston slum, McCormack is assigned a case that no one wants. The dead man is wearing a masonic ring, though, and Duncan realizes the victim is not the down-and-out his boss had first assumed. A catastrophic explosion As McCormack looks into both crimes, the investigations are disrupted by a shocking event. A bomb rips through a pub packed with people - and a cop is killed in the blast. The cases are stacking up and with one of his own unit now dead, McCormack is in the firing line. But he's starting to see a thread - one that connects all three attacks...

The Quaker is watching you... In the chilling new crime novel from award-winning author Liam McIlvanney, a serial killer stalks the streets of Glasgow and DI McCormack follows a trail of secrets to uncover the truth... Winner of the 2018 McIlvanney Prize for Scottish Crime Book of the Year A city torn apart. It is 1969 and Glasgow has been brought to its knees by a serial killer spreading fear throughout the city. The Quaker has taken three women from the same nightclub and brutally murdered them in the backstreets. A detective with everything to prove. Now, six months later, the police are left chasing a ghost, with no new leads and no hope of catching their prey. They call in DI McCormack, a talented young detective from the Highlands. But his arrival is met with anger from a group of officers on the brink of despair. A killer who hunts in the shadows. Soon another woman is found murdered in a run-down tenement flat. And McCormack follows a trail of secrets that will change the city - and his life - forever...

When Glasgow journalist Gerry Conway receives a phone call promising unsavoury information about Scottish Justice Minister Peter Lyons, his instinct is that this apparent scoop won't warrant space in The Tribune. But as Conway's curiosity grows and his leads proliferate, his investigation takes him from Scotland to Belfast. Shocked by the sectarian violence of the past, and by the prejudice and hatred he encounters even now, Conway soon grows obsessed with the story of Lyons and all he represents. And as he digs deeper, he comes to understand that there is indeed a story to be uncovered; and that there are people who will go to great lengths to ensure that it remains hidden. Compelling, vividly written and shocking, ALL THE COLOURS OF THE TOWN is not only the story of an individual and his community - it is also a complex and thrilling inquiry into loyalty, betrayal and duty.

Scotland's rich literary tradition is a product of its unique culture and landscape, as well as of its long history of inclusion and resistance to the United Kingdom. Scottish literature includes masterpieces in three languages - English, Scots and Gaelic - and global perspectives from the diaspora of Scots all over the world. This Companion offers a unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period to the post-devolution present. Essays focus on key periods and movements (the Scottish Enlightenment, Scottish Romanticism, the Scottish Renaissance), genres (the historical novel, Scottish Gothic, 'Tartan Noir') and major authors (Burns, Scott, Stevenson, MacDiarmid and Spark). A chronology and guides to further reading in each chapter make this an ideal overview of a national literature that continues to develop its own distinctive style.

Scotland's rich literary tradition is a product of its unique culture and landscape, as well as of its long history of inclusion and resistance to the United Kingdom. Scottish literature includes masterpieces in three languages - English, Scots and Gaelic - and global perspectives from the diaspora of Scots all over the world. This Companion offers a unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period to the post-devolution present. Essays focus on key periods and movements (the Scottish Enlightenment, Scottish Romanticism, the Scottish Renaissance), genres (the historical novel, Scottish Gothic, 'Tartan Noir') and major authors (Burns, Scott, Stevenson, MacDiarmid and Spark). A chronology and guides to further reading in each chapter make this an ideal overview of a national literature that continues to develop its own distinctive style.

There remains at work - in both Britain and America - a group of literary journalists and academics committed to the evaluative criticism of fiction, to a criticism that approaches novels as novels. The Good of the Novel is a collection of specially commissioned essays - edited by Ray Ryan and LIam McIlvanney - on the contemporary Anglophone novel. Bringing together some of the most strenuous and perceptive critics of the present moment and putting them in contact with some of the finest novels of the past three decades, it examines what the novel does and what kinds of truth the novel can tell. What is it that the novel knows? What is it about the language used in a novel that creates a world different from that of drama or poetry? And how does a particular novel emplify this? These questions can be answered by the careful examination of particular great works by strong evaluative critics. Robert Macfarlane on Hollinghurst's The Line of Beauty; Tessa Hadley examining Coetzee's Disgrace; and Ian Sansom on Roth's American Pastoral - just some of the essays that are to be found in this insightful, intelligent and illuminating book.

After three years in the wilderness, hardboiled reporter Gerry Conway is back at his desk at the Glasgow Tribune. But three years is a long time on newspapers and things have changed - readers are dwindling, budgets are tightening, and the Trib's once rigorous standards are slipping. Once the paper's star reporter, Conway now plays second fiddle to his former protege, crime reporter Martin Moir. But when Moir goes AWOL as a big story breaks, Conway is dispatched to cover a gangland shooting. And when Moir's body turns up in a flooded quarry, Conway is drawn deeper into the city's criminal underworld as he looks for the truth about his colleague's death. Braving the hostility of gangsters, ambitious politicians and his own newspaper bosses, Conway discovers he still has what it takes to break a big story. But this is a story not everyone wants to hear as the city prepares to host the Commonwealth Games and the country gears up for a make-or-break referendum on independence. In this, the second book in the Conway Trilogy, McIlvanney explores the murky interface of crime and politics in the new Scotland.

Brings together leading critics and novelists with some of the finest contemporary novels to answer probing questions about the role of the modern novel.